Credits

Yardie

Yardie

Director: Idris Elba
Cinematographer: John Conroy ISC
Equipment Supplied: ALEXA Mini Cameras, ARRI/Zeiss Master Anamorphic Lenses, Angenieux Optimo Zooms

Adapted from Victor Headley’s cult 1992 novel of the same name, Idris Elba's directorial debut begins on the mean streets of 1970s Kingston, Jamaica and concludes on the even meaner backroads of 1980s East London.

Feature Film

Bodyguard

Bodyguard

Directors: John Strickland, Thomas Vincent
Cinematographer: John Lee
Equipment Supplied: RED Helium Cameras, Leica Summilux-C Lenses, ARRI/Fujinon Alura Zooms

Produced by World Productions for BBC One, this six-part series tells the fictional story of a war veteran turned Specialist Protection Officer who is assigned to protect an ambitious and powerful Home Secretary.

Drama

Mamma Mia! Here We Go Again

Mamma Mia! Here We Go Again

Director: Ol Parker
Cinematographer: Robert Yeoman ASC
Equipment Supplied: ARRI ALEXA SXT Plus & ALEXA Mini Cameras, ARRI/Zeiss Master Anamorphic Lenses, Angenieux Optimo Zooms

Ten years on from the first MAMMA MIA! film, but set five years later, the follow-up uses flashbacks to explore the story of how Donna (played by Meryl Streep and in her youth by Lily James) first came to the Greek island of Kalokairi.

Feature Film

Jurassic World: Fallen Kingdom

Jurassic World: Fallen Kingdom

Director: J.A. Bayona
Cinematographer: Óscar Faura
Equipment Supplied: ARRI ALEXA 65 Cameras (A, B & C-camera – main & second unit)

In the fifth instalment of the epic Jurassic franchise it’s been three years since the Jurassic World theme park was abandoned and when the island is threatened by a volcanic eruption a rescue mission to save the remaining dinosaurs from extinction takes place.

Feature Film

Solo: A Star Wars Story

Solo: A Star Wars Story

Director: Ron Howard
Cinematographer: Bradford Young ASC
Equipment Supplied: ARRI ALEXA 65 Cameras (A & B-camera – main & second unit), ALEXA Mini Cameras, ARRI Rental Prime DNA & Zeiss High Speed T1.3 Lenses, Grip Equipment, Remote Heads & Cranes

The second of the Star Wars anthology films explores the early adventures of Han Solo, where he meets his future co-pilot Chewbacca and encounters Lando Calrissian years before joining the Rebellion.

Feature Film

On Chesil Beach

On Chesil Beach

Director: Dominic Cooke
Cinematographer: Sean Bobbitt BSC
Equipment Supplied: 2-Perforation ARRICAM Studio & Lite Cameras, Cooke Classic S4 Prime Lenses, Angenieux Optimo Zooms, Grip Equipment

An adaptation by Ian McEwan of his own bestselling novel, in which a young British couple from drastically different backgrounds are on their honeymoon in the summer of 1962.

Feature Film

Mary Magdalene

Mary Magdalene

Director: Garth Davis
Cinematographer: Greig Fraser ASC, ACS
Equipment Supplied: ARRI ALEXA 65 Cameras (A & B-camera), ARRI Rental Prime DNA Lenses, Angenieux Optimo Zoom, Grip Equipment, Remote Heads & Cranes

A bold re-examination of the titular character and the role she played in the life and teachings of Jesus of Nazareth.

Feature Film

The Mercy

The Mercy

Director: James Marsh
Cinematographer: Eric Gautier AFC
Equipment Supplied: ARRIFLEX 435, 2-Perforation ARRICAM Studio & Lite Cameras, Zeiss Standard Prime T2.1 Lenses, Angenieux Optimo Zooms

The true story of amateur sailor Donald Crowhurst and his solo attempt in 1968 to circumnavigate the globe without stopping. 

Feature Film

The Commuter

The Commuter

Director: Jaume Collet-Serra
Cinematographer: Paul Cameron ASC
Equipment Supplied: ARRI ALEXA Mini Cameras, ARRI/Zeiss Master Prime Lenses

An ordinary businessman is caught up in a criminal conspiracy during his daily commute home.

Feature Film

Darkest Hour

Darkest Hour

Director: Joe Wright
Cinematographer: Bruno Delbonnel ASC, AFC
Equipment Supplied: ARRI ALEXA SXT Plus & ALEXA Mini Cameras, Cooke S4 Prime Lenses, Angenieux Optimo Zooms, Grip Equipment, Remote Heads & Cranes

Set in 1940, this historical drama from Joe Wright focuses on Winston Churchill’s first days as Prime Minister.

Feature Film

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